Xcèntric 2017
The CCCB's cinema
Related contents
Jorge Tur Moltó introduces "Agitprop. Art as a weapon of combat in the cinema of Santiago Álvarez and Travis Wilkerson"
Agitprop film combines agitation and propaganda. In the 1930s, documentaries of this type aimed to influence public opinion. Santiago Álvarez and, later, Travis Wilkerson remained faithful to this spirit of provocation for transforming reality.
Francisco Algarín introduces "Acts without words, correspondence without a sender. From Morgan Fisher and Thom Andersen to Laida Lertxundi"
This session proposes a series of conceptual correspondences between the most recent films of LA-based filmmaker Laida Lertxundi and some of the early works of two of her main references, Morgan Fisher and Thom Andersen.
Full list of previous activities
Martha Colburn: Extreme Frames
Screening in presence of the filmmaker
Workshop "Extreme Frames"
Stop Motion Workshop by Martha Colburn
El auge del humano
The CCCB's cinema
Focusing on the landscape
The CCCB's cinema
Musical portraits (II): Let’s Get Lost
The CCCB's cinema
Musical portraits (I): Step Across the Border
The CCCB's cinema
Poet on a Business Trip
The CCCB's cinema
Bruce Conner (II): Breakaways
The CCCB's cinema
Bruce Conner (I): Movie in my Head
The CCCB's cinema
Afterimages. Films & Performances by Kerry Laitala
The CCCB's cinema
The voyeuristic camera: visual spaces of desire
The CCCB's cinema
Rituals of transfiguration
The CCCB's cinema
Cinema of the intimate. The limits of the filmable
The CCCB's cinema
L.A. Plays Itself
The CCCB's cinema
On the meaning of construction. Robert Beavers
The CCCB's cinema
Anne Rees-Mogg. Sentimental Journey
The CCCB's cinema
Things of my life: the ethnographic cinema of Chick Strand
The CCCB's cinema
Patrick Bokanowski. The screen as a canvas
The CCCB's cinema
Spaces for creation. Manon de Boer
The CCCB's cinema
