The cinema of the possible. Performative talk by Érik Bullot

Is the Catalan independence process, el procés, a performative film, with its plenary sessions, its theatre-like drama, its images, and its temporality? Was the unilateral declaration of independence performative? What’s the difference between repeat and resume? Can the things that didn’t happen in history still reappear as in the form of promise? How can we come up with an unfinished, open form, with a self-reflexive logic—a conversation-film or a process-film?