DEL ÉXTASIS AL ARREBATO (FROM ECSTASY TO RAPTURE)

This session presents a series of pieces in super-8, a format that was created in 1965 and is still used today, and others from the subgenre of found footage film. Some of the works combine the two, such as For/Against, by Eugènia Balcells, or Súper 8, by David Domingo. This programme establishes a dialogue between filmmakers from different generations: those who formed part of this avant-garde incursion into the field of experimental cinema based in Barcelona, Madrid and Valencia in the 1970s (spearheaded by Eugeni Bonet, Juan Bufill, Manuel Huerga and Eugènia Balcells) and the new generation to have emerged since the late 1990s.

 

For/Against, Eugènia Balcells, 1983, video, 3 min.

Minnesota 1943, Toni Serra, 1995, video, 7 min.

Alice in Hollywoodland, Jesús Pérez-Miranda, 2006, video, 7 min.

Súper 8, David Domingo, 1997, video, 7 min. 30 sec.

Bloodfilm, Marcel Pey, 1975, video, silent, 2 min. 30 sec.

Roulette Wheel, Luis Cerveró, 2005, video, 2 min.

Signaturas (síntesis), Juan Bufill, 2008, video, silent, 6 min. 30 sec.

I Love You Because, Lope Serrano, 2007, video, 2 min. 45 sec.

22arroba, Maximiliano Viale, 2008, video, 4 min.

Photomatons, Eugeni Bonet, 1976, video, 3 min

A escala del hombre, David Reznak, 1991, 8 min. 30 sec.

Copy Scream, Oriol Sánchez, 2005, video, silent, 2 min. 20 sec.

Brutal Ardour, Manuel Huerga, 1979, video, 15 min.

 

With the presence of the filmmakers Maximiliano Viale, Juan Bufill, Oriol Sánchez, Marcelo Pey.